We did not have a video projector, neither did the lighting guy have time to move the lighting within a shot, which would also make it real hard to match the spot movements in shots that went back-to-back shots. I couldn't add the monkey and the other logo, which the artist wanted to be added. I thought of hanging a backdrop behind, but went with the blue because of several reasons: Picky is good, not being picky results in sloppy work. ![]() I didn't put it back to Liquid, but will export from AE to AvidXpressPro with the OMF export, and then record to tape. ![]() The slo-mo shots I went with Uncomp QT 50p and used Twixtor for smoother motion. From Liquid to AE: exported the timeline to uncompressed QT.
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